Thoughts on Mad Men: Season 6, Episode Twelve

So, I’m watching the scene with my precious Kenny and my mouth drops. I was actually hoping for a dream sequence to close that scene though I abhor those machinations generally. I’ll take it if it means that Kenny’s spared that injury and indignity. Anyway, Kenny’s line, “Chevy’s killing me,” doesn’t feel quite that hyperbolic after that scene. Poor Ken. Pete is perfect for that account and will finally get a chance to use that .22 of his. Speaking of which, am I wrong or do we have two plot devices in this season? It looks like Pete’s .22 is back for another cameo, and Bob is feeling a little less like a character and a little more like a plot device. Both are loaded and ready to go off, and both are potentially pointed at Pete. I can’t wait to see which one actually fires.

I’m rooting for Ted and Peggy less and less as the pairing becomes more and more inevitable. I always wanted Stan to be the one to win her heart anyway. Hey, Peggy, he’s actually available! Though their mutual admiration (Ted’s and Peggy’s) is charming to me because there is something pure at its core, I’d loathe being a colleague of theirs. Don and Megan catching Ted and Peggy at the movie launches Don’s petty side and subsequent setup of Ted. His self-righteous reaction to the Ted and Peggy relationship is the definition of hypocrisy because while Ted and Peggy crossed the decency line with the kiss, they haven’t remotely approached a transgression that could be categorized in the same ballpark as Don’s many crimes. He’s made so many nasty plays and betrayed so many people that he has purported to care about that I keep thinking that he’s out of moves that can disgust me further, but he surprised me this week. Watching Don remove the Clio (if they do get this ad made and it wins an award) from Peggy’s hands by saying it was Gleason’s last idea is bound to mean that he’s lost her forever. I just can’t see her forgiving him for that. And I certainly won’t. I gasped when he did that. As uncomfortable as I was with the pregnant silence that descended when he pushed Ted in front of the firing squad, I literally gasped when he said that the ad concept was Gleason’s last idea.

I think this line: “We’ve all been there – I mean, not with Peggy,” that Don delivers to Ted after he’s effectively thrown a wet blanket over their blossoming love affair is pretty telling. I think that the jealousy Don is feeling when he sees the closeness between Peggy and Ted is more complex upon second viewing than I thought initially as the episode played out. As Peggy’s come into her own, I’ve watched as Don has developed an attraction to Peggy that would never be acted upon but was no less real. I think he respects and admires Peggy (as much as he is capable) and that translated into an attraction to her. I never thought their relationship was strictly mentor/mentee; I always thought there was something more. But I thought that door closed when Peggy left. I think that line shows that Don hasn’t fully gotten Peggy out of his system though she is so far removed from his type of woman which explains his sneer as he delivers the second half of the line. And that just makes him all the more disgusted with the current state of affairs. Yep, pun intended.

As far as the other gun (named Sally) that was loaded in the last episode and pointed squarely at Don, my mother hit the nail on the head in my opinion. Sally will most likely use this secret she knows as leverage to get everything she wants from her father. I think that might explain that smile on her face when she was watching the smackdown Glen delivered to Rollo. She’s enjoying this experiment that she conducted with Glen, and he reacted perfectly according to her script. She’s ready to begin manipulating her father. Is this how she feels Betty operates as well? I don’t know if the discovery of her father’s adultery was the catalyst or the entire driving event.

I have to give some kudos to ol’ Roge for his continuous bon mots referencing Kenny’s eye patch in that scene where Pete’s given the Chevy account officially. That was an enjoyable scene.

What did you guys think? This is quite a setup for the final episode, isn’t it?

 

Thoughts on Mad Men: Season 6, Episode Eight

Another episode filled with flashbacks to Don’s childhood. What’s interesting about Don and his obsession with his less than Norman Rockwell childhood is that he’s so ashamed of it and yet it’s something he had no control over. However, he’s not the slightest bit ashamed of his adultery, his failure as a parent, or the way he manipulates and even bullies those around him to get his way (poor Sylvia) all of which he has complete control over.

That opening scene with Kenny and seeing the way everyone treats him when he comes in the office made me sad because Kenny has always been a favorite. Listen fellas, did you really think Chevy was going to be an easy ride? Give Kenny some love before justifiably freaking out over the timetable.

Crazy Cutler and his crazy drug pusher, I mean doctor….. That certainly gave us some much-needed levity. We don’t get much of that on this show, so you enjoy it when you get it. And of course, you always pay a price for levity, so you’re always on edge waiting for a repeat of something like this.

http://www.gifday.com/mad-men-lawnmower/

And when Stan lined up for his William Tell moment, I thought, here we go again. Fortunately it was nothing like the lawnmower scene but instead led to my favorite scene of this episode. I finally got the beginning of what I hope might eventually lead to a Peggy and Stan relationship. That scene was so touching, and the two of them were so sweet and tender. Two adjectives that I wouldn’t associate with either of those characters. After I thought that, I had to laugh because this is ‘Mad Men’ and there are so few characters that I can imagine attributing those adjectives to that I had to go back multiple seasons to find one: Carla.

Fun moments the drugs gave us:

  • Stan and Cutler racing.
  • Stan rapid-firing ideas for Chevy and Ginsberg interrupts him with his and when rejected says, “What, I’ve got nothing interesting to say because I’m not on drugs?” and Stan says, “No, you just flushed a toilet in my head.” Because it is like that when you are on a roll and you are interrupted. You lose your train of thought and you know you’ll never quite get that magic back.
  • Kenny’s amazing tap dance routine. I must have watched that 5 times it was so cool.
http://www.vulture.com/2013/05/mad-men-gif-ken-cosgrove-does-a-jig-dance.html
http://www.vulture.com/2013/05/mad-men-gif-ken-cosgrove-does-a-jig-dance.html
  • Crazy, out of control Don who is so earnest but so intense he’s pitiable. And Peggy watching crazy, out of control Don and trying to determine how best to manage him while suspecting that she’s watching him fall apart before her very eyes. It was funny to watch the creative suck-up say to Don with awe that he is as good as they say as he falls for Don’s inspirational speech of no substance, but it certainly drove the point home that Don was making to Kenny about his presence and the “timbre of [his] voice” being as important as the content which made it all the more important for him to be present for the Chevy pitches.

That cough that has been cropping up over the course of the show appears again and again I wonder if this foreshadows a serious sickness for Don?

Speaking of the price paid for levity, it wasn’t an over-the-top gory lawnmower scene this time. This time we got to watch Sally at home trying desperately to control a very scary situation where she understands how vulnerable she is and how ultimately she really has only herself to depend upon. And she has to be responsible not only for herself but her two brothers as well. No .gif for that. And certainly that is far more frightening than that lawnmower scene was. And after that, I respectfully request that there be no more levity because the bill due this time was a little steep. Those scenes were very tough to watch.

As a final word, I must enthusiastically applaud the last line of the episode. “Every time we get a car, this place turns into a whorehouse.” Perfection!